Description
For the first time anywhere, you can get live, unedited and raw Sweet N Evil videos!
Now you can experience the movement!
$19.99
For the first time anywhere, you can get live, unedited and raw Sweet N Evil videos!
Now you can experience the movement!
For the first time anywhere, you can get live, unedited and raw Sweet N Evil videos!
Now you can experience the movement!
Weight | 24 oz |
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Dimensions | 11.5 × 9.5 × 1 in |
Show | Escapades 4/28/91, Escapades 5/11/91, Kane Stadium 6/91, 3 Shows 7/91, Studio One 8/25/91, Rock Quarry 12/27/91, Redspot, Marquee 2/92, Redspot 5/1/92, Rock N Roll Cafe 6/20/92, Rock Horse 7/4/92, Club Bene' 7/11/92, Rocker Room 9/26/92, Rock the House 10/21/92, Underworld 10/7/92, Underworld 11/21/92, Rock the House 12/2/92, ??? '92, PAL Showcase 6/93, PAL Benefit 6/14/93, PAL Benefit 5/13/93, Lion's Den 3/19/96 |
Let It Be is a 1970 documentary film about the Beatles rehearsing and recording songs for the album Let It Be in January 1969. The film features an unannounced rooftop concert by the group, their last performance in public. Released just after the album, it was the final original Beatles release.
Queen: The Magic Years is a video trilogy chronicling the success of one of Britain’s most popular bands, Queen. The Foundations fuses archive footage, interviews, and never-before-seen studio clips to unfold the story of the group’s formation in 1971 and its development and achievements through the mid-’70s. Highlights include clips of Queen’s first Rainbow concert and other early career benchmarks. This volume features commentary from Elton John, Little Richard, Roger Daltrey, Keith Richards, Phil Collins, Rod Stewart, Jeff Beck, Ringo Starr, Paul McCartney, and David Bowie. Other segments explore the group’s noted work in music video, and its techniques.
This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont. Because of the free-form nature of filming, Cocksucker Blues captured band members and entourage members taking part in events the Rolling Stones preferred not to publicize. It can only legally be screened with director Robert Frank in attendance. The title of the film is the same of that of a Rolling Stones song (aka Schoolboy Blues), which was written to complete the band’s contractual obligations to Decca Records and specifically to be unreleasable.
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