Description
For the first time anywhere, you can get live, unedited and raw Sweet N Evil videos!
Now you can experience the movement!
$19.99
For the first time anywhere, you can get live, unedited and raw Sweet N Evil videos!
Now you can experience the movement!
For the first time anywhere, you can get live, unedited and raw Sweet N Evil videos!
Now you can experience the movement!
Weight | 24 oz |
---|---|
Dimensions | 11.5 × 9.5 × 1 in |
Show | Escapades 4/28/91, Escapades 5/11/91, Kane Stadium 6/91, 3 Shows 7/91, Studio One 8/25/91, Rock Quarry 12/27/91, Redspot, Marquee 2/92, Redspot 5/1/92, Rock N Roll Cafe 6/20/92, Rock Horse 7/4/92, Club Bene' 7/11/92, Rocker Room 9/26/92, Rock the House 10/21/92, Underworld 10/7/92, Underworld 11/21/92, Rock the House 12/2/92, ??? '92, PAL Showcase 6/93, PAL Benefit 6/14/93, PAL Benefit 5/13/93, Lion's Den 3/19/96 |
Queen Hot Space Tour ’82
DVD
Grand Funk Railroad (also known as Grand Funk) is an American blues rock band that was highly popular during the 1970s. Grand Funk Railroad toured to packed arenas worldwide.
Playhouse Theatre – London 10/16/63 ITV News
London Airport 10/31/63
London 11/4/63
Royal Variety Show 11/4/63
This Week – London 11/5/63
In Town – Dublin Airport 11/7/63
Portsmouth 11/12/63
Beatles Come To Town! 11/20/63
CBS News 11/21/63
The Morcambe and Wise Show 12/2/53
It’s The Beatles – Empire Theatre, Liverpool 12/7/63
Lucky Stars on Merseyside 12/16/63
ITV News, London 12/20/63
Jack Parr Show 1/3/64
Paris France, Olympia Theatre 1/16/64
Promotional Videos – Please Please Me (3 Takes), I Want To Hold Your Hand
The album is an attempt to undo the work of producer Phil Spector, who remixed the 1970 Let It Be behind Paul McCartney’s back (though the other Beatles were complicit). Spector dubbed in kitschy strings, horns and female voices, while screaming, “I must have more echo! I must have more reverb!” according to engineer Geoff Emerick, who was in the studio on Apr. 1, 1970. Emerick says Spector butchered “The Long and Winding Road,” reducing the Beatles’ performance down to one or two tracks to make room for five or six tracks of orchestra and choir overdubs. Spector actually erased one of McCartney’s vocals forever. “I hope Paul likes this,” Emerick recalled Spector saying, “because I’ve changed the chords.” McCartney, shocked and enraged, called Spector’s work “crap” and the Let It Be experience “the worst time of my life.”
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